Can you name the Wabash alumnus who is one of the world’s most influential electric guitarists and has recorded with more than 150 artists, including Stevie Wonder, Bonnie Raitt, Emmylou Harris, and Jerry Garcia?
Who has won two Juno Awards, the Canadian version of the Grammys?
Whose one-take guitar break on Maria Muldaur’s “Midnight at the Oasis” (the solo Stevie Wonder calls “the second best recorded solo of any instrument”) made that song a hit?
That’s Amos Garrett ’64.
We couldn’t convince him to attend the Wally Tunes Symposium February 21 (extensive damage to his home on Alberta’s High River during one of the worst floods in Canadian history is keeping him close to home), but his original song “Bert’s Boogie” is one of the tracks on the commemorative CD we’ll be giving away to those attending the symposium.
Page Stephens ’65, who helped found the Wabash Folksong Club—which brought to campus some of the leading folk and guitar acts of the 1960s, including the powerful Delta blues man Son House and folk music legend Doc Watson—calls Garrett his guitar hero.
In a story in the Summer 2002 issue of Wabash Magazine, Page recalls the first time he heard Garrett play: “Amos and I were both Kappa Sigs, and the first time I heard him play his guitar—an old Goya flat top which he probably has forgotten he ever owned—I learned that there was much more to playing the guitar than I ever realized.”
A writer for Scene Magazine wrote in 2002 that “the reason that Garrett’s name floats along the periphery of pop music instead of the front lines is because Garrett eschewed mainstream rock to make consistently interesting music.” That sounds like a Wabash man.
You can hear Amos’s music all over the Web, but start with his site at Stony Plain Records. And here’s a youtube link to “Midnight at the Oasis” and that famous instrumental bridge. Amos’s solo starts at about 1:21 in.
Wally Tunes: Music and the Liberal Arts is February 21 in the Fine Arts Center.